Sous le Pont

 Without any doubt the material.  It is the dimension of humanity I perceive in the distressed posters that interests me. They represent moments of life, glued to the walls, then altered by the passing of time. In this way they acquire a particular beauty, rough and fragile at the same time, which produces specific colors and textures. I collect them to offer them an aesthetic ambition that, may be, they never have had; a sort of artistic redemption.